57.2 Beyond the Walls

57.2 Beyond the Walls

Introduction

Introduction

Sally Ann McKinseyAt almost every entrance to a church building, wayfinding signs point to “The Sanctuary.” This is appropriate, of course, because the specific location of this room in the building matters. The four walls of the sanctuary hold and define the...

Worship as Protest; Protest as Worship

Toward a Liturgy of the Wild

The Conversation: Ojai Church of the Wild was the name of the first wild church I started along with a small group of brave souls who were tired of defining church by a building where we meet. After twenty years as a pastor of traditional indoor churches, I had walked out of the chapel doors and into the sanctuary of the oak trees, leading my community in a worship that might reconnect us with the living world as sacred.

Worship as Protest; Protest as Worship

Building a House with Song

Let us build a house where love can dwell, and all can safely live.” The opening lines of Marty Haugen’s fantastic hymn “All Are Welcome” lays out the foundation of what we as Christians are called to do when building the church of God. In our music we sing songs of welcome, we sing songs of feeding the poor, and we sing about embracing those who are different from us and those who walk a path that is alien to our own.

Worship as Protest; Protest as Worship

Make No Thing Happen: Making Liturgy through Poetry

I once heard Ross Gay, one of my favorite writers, claim, “A poem is a laboratory for our coming together.” Since the fall of 2021, I have held a poetry discussion group at a local continuing care facility. Monthly participation ranges from one to two dozen people. A few of the attendees are members of the congregation I serve as pastor, but the majority would not consider themselves to be Christians. Everyone loves poetry. I call the group Poetry and You…

A Litany for the Blessing of the Animals

Celebration of Communion outside of the Sanctuary

It is appropriate to celebrate the Sacrament of Communion as often as every Lord’s Day (according to the PC(USA)’s Book of Order W-3.0409). In addition to the members who gather in the place of worship, the community has a responsibility to minister to those members who are unable to participate in person by taking the sacrament to those who wish to receive it.

On Liturgy: Seeing Life through the Eyes of Liturgy

On Liturgy: Seeing Life through the Eyes of Liturgy

One of my favorite things to hear as we walked out of my African American Baptist church in North Jersey as a child was, “Yes, yes, we had ‘chuch’ today!” The mothers of the church would intentionally leave out the “r” to emphasize the power of the service and its hoped-for residual spiritual effects on their lives, their families, the community, and maybe, just maybe, the world.

On Liturgy: Seeing Life through the Eyes of Liturgy

On Music: Wood and Wind—Worshipful Music Welcoming All God’s Children

In every time and place, God has called music out of human hearts. I’m an organist, so my primary instrument could hardly be more bound to a specific location, yet the walls of a church can’t confine all the music in the worship of the triune God. A drum circle on the Gulf Coast of Florida initially opened my eyes to the Spirit’s creative nudges when the pandemic prevented us from glorifying God within our beloved church sanctuary.

On Liturgy: Seeing Life through the Eyes of Liturgy

On Preaching: Worship and Preaching outside the Sanctuary Walls through Digital Mediations

Most historic, mainstream Christian churches in the United States of America by now should be experts in conducting hybrid or multimodal worship services, but, surprisingly, they are not. Some of them were already good at recording and posting or even livestreaming their worship services before the World Health Organization declared COVID-19 a pandemic. The rest of those churches had the opportunity to learn and develop the art of online worship during the two years COVID kept most churches shut down.

Luli and the Language of Tea; Quiet Time with My Seeya

Luli and the Language of Tea; Quiet Time with My Seeya

How do we communicate without language? As a writer and publisher—someone who relies on words—this is a question I like to avoid if I want to pay my rent. Two recently published children’s books, Luli and the Language of Tea by Andrea Wang and Quiet Time with My Seeya by Dinalie Dabarera, confront language barriers and find community and love in play, in gathering around a table, and in sharing a cup of tea.