Prayer Cloth No. 4: A Prayer to Yamantaka, 2016.

Letters cut from the Bible, paper, 30 x 22 ¼ in.

Meg Hitchcock: Illuminations 

 

My work explores the psychological impact of religion. When I left the church in my early thirties, I began to use my artwork as a commentary on the limitations of a fundamentalist belief system. In my work I have addressed such themes as sin, salvation, and the patriarchal authority of religious traditions. I work with sacred texts, cutting letters from one text to form the writings of another. In one piece I cut letters from the Bible to create a passage from the Koran, in another I cut letters from the Koran to create a passage from the Bhagavad Gita, and so on. This “cross-pollination” of holy books has a larger purpose, suggesting that all sacred writings point toward the same ultimate source, eliminating the need for exclusivity or intervention. In the process of deconstructing and reconstructing sacred texts, I found a way to express a broad interpretation of Scripture that is inclusive of all faiths.

-Meg Hitchcock

www.meghitchcock.com

Secret of the Golden Flower, detail, 2018.

Letters cut from a family Bible, paper, 15 ¼ x 15 ¼ in.

Secret of the Golden Flower, 2018.

Letters cut from a family Bible, paper, 15 ¼ x 15 ¼ in.

Prayer Cloth No. 4: A Prayer to Yamantaka, 2016.

Letters cut from the Bible, paper, 30 x 22 ¼ in.

Diary, 1971. 2016

Excerpts from My Grandmother’s Diary, letters cut from the Kama Sutra, paper, 30 x 22 ½ in.

Prayer Cloth No. 4: A Prayer to Yamantaka, 2016.

Letters cut from the Bible, paper, 30 x 22 ¼ in.

Rosary No. 1, 2018.

Letters cut from the Bible, paper burned with Tibetan incense, paper, 17 x 14 in.

When You Wish Upon A Star, 2020.

Letters cut from the Bible, acrylic, graphite, shavings, 14 x 11 in.